Houses of the Holy

STRUCTURE

People sometimes tell me I’m a "people person." I laugh to myself whenever they do. I understand their reasons for saying so. I can be garrulous. But they don’t know how things really run inside of me. There are different levels inside of me. When I say I am a structured person, I don’t mean that I do things in an orderly manner. No. When I use the word structure in this way, I am referring to a dilapidated house of wooden crates and planks, warped and molded and glued together, melded by twisted, rusty nails, oversized bolts. My inner rooms are an amalgamation, a ramshackle clubhouse where people hide inside whatever room they choose.

One room is all purple, light and dark, and there are bowls filled with little bits of paper laced with drugs. These bowls are placed politely on doilied tabletops as if they held sweet candies wrapped in cellophanes. There are windows in that room, and trees outside, a park where children laugh and cry and shout.

In another room there is no light. This is where the half-people gravitate, those half-people whose transitional floors gave way too soon, planks crumbling beneath their feet before they had time to cross from adolescence to adulthood. So they fall into that gap, one that opens somewhere between a pimpled, glad invisibility and the somber space below, a dark space where they land, bodies thumping, among the shriveled skins of dried up selves piled around the room like buffalo hides.

There are rooms where people die too early and others die too late. Rooms full of sadists and idealists. Rooms where pretending never stops. Most pleasant are the kitchens, or the rooms with the overstuffed chairs. Some have greeting spaces and staircases. I have built this house inside of me.

It seems that I’m involved in something new, though nothing yet is clear. One thing not yet clear is whether this flimsy house will be demolished, or if I’m only adding on another room. There are levels here where what you see is seemingly what you get. And there remain too, sublunary hiding spaces where people (people like me at least) really live. For a long time I’ve been thinking that once a room is built, it’s built.

I’ve been trying to exercise too. It’s not my nature. I’m doing it because the world "out there" requires physical continuity. I’ve never been physical. When I was a child I could not run fast, could not skate gracefully. I lacked balance. Others seemed born with it.

When I was capable of real sleep, I’d have this recurring series of dreams based on real-life events. The dreams are set in the same summer I learned to ride a bicycle. My father had rented us a bungalow near the beach. That summer stays with me even without dreams. I’d fish for minnows in the bay. I'd stuff bread inside a milk bottle that I’d sink, a rope tied round its slender neck. Fat minnows swam in after the bread and I’d pull the bottle in. I discovered places crickets lived, in a nearby vacant lot, all sandy dirt and rocks, tall grasses clumped around.

One morning I walked up on a yellowish ball of larvae swarming alongside the body of a grasshopper who’d been nicked by the tire of a passing car. Apparently, her pregnant belly had popped. There they were, her squirming babies baking on warm tar. I killed a praying mantis too, behind the house that summer, just because. I hear talk about alcoholic behavior. I sometimes wonder if that’s the kind of thing that’s meant.

* * *

In place of sleep comes gravity; gravity and an unqualifiable peace—both fill the air I breathe, here in my bed, sober, detached. And as I put some sober days together I am finding this truth, that the more I let go the more I tap some hidden and sustaining principle. It’s as if when I do my part, taking care of what’s in a day, tilling the garden as it were, of my own hidden life, then whatever it is that’s out there smiles on me; not in a way that “honors” my daily endeavors because I deserve a reward or something—no, more in a way that these two operating principles, letting go and empowerment, simply resonate with one another. At Melrose House they say: “Just do the next right thing.” Not easy for a putz like me, but I’ve been trying it on for size and well, so far so good.

When, at night, I lie in bed I think about the day. That Monday’s instructors conference, or how far I walked, how many bars I counted (Seventeen. This is a college town for sure). I think about writing again, and my first class. My first class; I must admit it went well. Imagine my surprise when she walked in. Her hair was up, and she wore a flowered dress. Stunning really. I held my breath. I’ve got a good poker face.

And her dog—no one in the room batted an eye. Apparently she takes it everywhere she goes, that enormous, broadly muscled beast. Her silences. I’m unsure which is more ominous, the dog or the quiet that surrounds her. Everyone in class but me seemed to already know: she cannot speak.

“Have you ever felt really empty?” She handed me that note a few nights back. I had not recognized them then: the first six words of my first and only book. She’s a fan. How Glea would laugh at that notion. Maybe not. Glea’s the one that got me here after all.

I’m the one who can’t believe I still have fans, but in fact, ninety-nine percent of my student’s are there because they loved the book. My book. I don’t want to screw this up. God, please, don’t let me screw this up. “Let go. Let God,” they say at Melrose House. I close my eyes. Something near to sleep arrives. Gravity. It is quiet.

Have I told you lately . . . ?

Night Full of Absence

Time moves as slow as stone without you near. I find myself in this strange limbo of desires—to be close and yet not to push too near too fast. I was saddened that we argued as hotly as we did, troubled, enormously. And yet a faith sets in, that our friendship is stronger than either of us suspected, strong and sure, even when we are not.

This short period that feels so heavy brings to mind how deeply you have sent your roots into my life, reveals what a deep mark would be left were you to pull them from its soils. I have been seized by obsessive need, to talk with you, to listen, taking comfort in your voice, even knowing there are no words adequate, none soft enough, none strong enough, for what I long to hear.

Our words rise and fall behind language, like the ground of all we see and feel. Ours is the language of eyes through which the heart burns, of knowing without grasping, of hands that touch wordlessly, in the surging silences of jungles and deserts and enormous skies full of clear, throbbing nights, nights whose skins stretch thin, skies so filled with playfulness that they will themselves to the air they live in, hoping for fire.

I remain incapable of expounding any of these visitations, these spectres that rise up in so many bodiless nights, hours full of rushing spaces, your eyes nowhere to beguile me. I am flung outward by words escaping to find their place in your hands and your limbs, these words heavy with life like vines.

This garden of feeling we have cultivated makes a place for the sun, for water and salt and earth. We needn’t touch them, the years, to feel them, how they have flourished within the borders of this garden's rock walls. These several years sing sonorously, steadily, cemented and meshed together like the letters of a cherished word, a secret word, a word held between us like a prolonged breath, like wet, imprecise kisses, lips groping among last things, braced in waves that en-trance the constant moon, waves ever changing the lettering of the world, the many ways that love is spelled.

I'd wait a million years

TURN AROUND

He was three hours into the four hour drive home when he called her.

“Hey,” she answered.

She always answered with that initial "Hey," and whenever he heard her say it he was drawn to a territory that felt warm, familiar. In that space distance held sway, but the distance bordered a tract of heart that had known her voice long before he'd heard the sound of it.

“I almost called to tell you to turn around.” She spoke with a natural air.

“I will, you know.” He did not need to think.

“Don’t,” she said when he told her how far he’d already driven.

After they were done talking he recalled her face, her hair. He replayed her voice, “Hey,” and took the next exit, looking for a turn around. “Crazy,” he said.

To turn around then would make a four hour trip into another seven hour drive. Only the day before he’d driven from North Carolina to spend the night with her in Virginia. Now he was back in Jersey--and suddenly heading south.

His back and his legs had stiffened by the time he pulled the car along the curb. She’d left the door open and he let himself in. Drumming music and the hum of a treadmill flowed up out of the basement. So he dropped his bag near the door and went for a walk. The January air felt sharp when he breathed it in and the evening turned to dark. He was happy looking at the houses, recording the names of streets he passed.

In less than an hour he was back and watching television when she emerged from the basement dabbing her brow with a towel. They talked a little and she left to go shower. When she returned in slippers and a T-shirt they called out for Chinese food. She stood at the sink rinsing a plate. He leaned down and kissed her shoulder. She smiled.

After dinner, he stretched out on the sofa and watched her sink cross-legged into an overstuffed chair. The day had ended. Neither of them said very much. A toned thigh stretched out from under her shirt. It was the shirt he’d bought her, the shirt that sported the Chinese character for “Strength.”

He’d been staring at her. “What?” she asked.

He wanted to tell her about what was going on inside his body. “You’re beautiful,” he said instead, and made a less than heartfelt effort to ignore the perfect length of leg stretched over the opposite knee.

She looked back at the television, and he succumbed to a swell of desire so strong that he had to close his eyes to hide it from her. “Strength.”

What he was feeling then was something he hadn’t felt for a long time, a longer time than he’d like to admit. He wondered what the Chinese character for "Craving" looked like.

Soon after, the television went off. They both agreed it had grown very late. She made sure he had enough blankets in his room and said goodnight. She looked up as she turned, half over her delicate shoulder. The full smile of her mouth blossomed and he almost wanted to cry. “Good night,” he said instead.

He turned out the light. Desire tore him into a thousand tiny shreds. His ex-wife never moved him so deeply. Nor had other women, women he thought he’d loved. This was something else, something beautiful and mysterious and full. He surrendered to it's resonance, released his heart and soul and body to its airs. Sleep finally overtook his rigid body, his lips pursing together, a final note holding, a last breath full of her name, the name he turned around on his tongue and blew back out into the night.